School of Music continues to celebrate 150 years with concert highlighting BU composers – The Daily Free Press

By | November 15, 2022

The Boston College Symphony Orchestra receives applause throughout their September 30 efficiency. The BU College of Music held a live performance on Saturday that includes previous and current BU composers. SHANNON RUSNAK/DFP STAFF

To honor its a hundred and fiftieth anniversary, the Boston College College of Music hosted a live performance on Saturday highlighting the work of previous and current composers with BU roots. The live performance was simply considered one of a bunch of celebrations that occurred to commemorate the college.

The composition division of the SoM and the up to date music ensemble in residence of the BU ALEA III offered the present within the live performance corridor of the SoM.

The SoM — previously referred to as the Faculty of Music — opened in 1872, changing into the nation’s first establishment to award levels in music, in line with the CFA web site. Later the Faculties of Music, Drama and Visible Arts have been merged into what’s now referred to as the Faculty of Effective Arts.

“The Faculty of Music was one of many founding schools of the College in 1872,” stated CFA music professor Richard Cornell. “[SoM] has this historical past of innovation and custom on the identical time.

For the live performance, ALEA III commissioned a bit referred to as “Origins” from SoM alum Thomas Weaver, which featured an array of school, college students, and visitor artists.

“Boston’s classical music group is kind of intensive and we at all times work at one another,” Cornell stated. “So you may count on to see all types of musicians on this stage.”

Aside from Weaver, the entire different items in this system are by deceased SoM lecturers, together with John Goodman, Joyce Mekeel, Gardner Learn, Norman Dello Joio, Lukas Foss, and ALEA III founder Theodore Antoniou.

“All of those composers signify totally different facets of our Twentieth-century historical past,” Cornell stated.

SoM keynote speaker Rodney Lister stated he needed the live performance to additionally characteristic well-known composers who’re nonetheless alive and dealing at SoM.

“There’s an emphasis…on celebrating the composers who taught right here who died, however there’s not the identical emphasis on doing something for the composers who’re really alive and dealing right here,” Lister stated.

However Lister additionally stated he acknowledges there’s a threat in taking part in music by dwelling composers.

“For those who say you play one thing from Beethoven or Mozart or Haydn… the music is certain to be nice,” Lister stated. “You say you are taking part in one thing by a dwelling composer that you simply by no means know…folks have a tendency to love what they know.”

ALEA III Treasurer Sam Headrick, who’s SoM Emeritus Affiliate Professor, stated Antoniou “lives for brand new music”. Antoniou was SoM professor of composition and director of ALEA III.

“He supported younger composers of all varieties of aesthetics,” Headrick stated. “He was taking part in all of the totally different kinds, which is so wholesome as a result of what we wish is for each younger artist to be what they’re, to not need to do an academically appropriate fashion, so to talk. .”

ALEA III continues that spirit by letting “every composer be their very own persona,” Headrick stated.

“[Antoniou] handed away now, however he fashioned a band, he desires it to proceed, so he has an endowment,” Headrick stated. “And so his college students and colleagues preserve this group alive.”

For Headrick, who first got here to BU aged 29 and left final yr after 41, the gig was a reminiscence of his time at BU.

“It is my skilled life,” Headrick stated. “I do know all of the composers besides one.”

Headrick stated his 4 many years at BU have been a privilege.

“I do what I like to do. I educate bold, hard-working younger college students who’ve a ardour for music like me,” Headrick stated. “The intention is to see this pupil as your colleague sooner or later.”

The SoM has wealthy ties to musical establishments in Boston, Cornell stated, and alumni have a tendency to stay round and turn out to be a part of town’s music scene.

“​​For those who attend a live performance by one of many metropolis bands and any of the opposite orchestras or choirs that use orchestras or opera firms, you will note our college students,” Cornell stated. “They may both be within the pit or on stage.”