The Pomona Faculty Musical Occasion, a chamber recital that includes school from the Pomona Music Division, featured 5 instrumental numbers and was fairly the sound to listen to.
The live performance happened on September 18 on the Little Bridges Corridor of Music, and the musicians carried out a wide range of solo and group items.
Harpist Alison Bjorkedal, who carried out the piece ‘Quartet’ alongside three of her colleagues, determined to participate within the live performance due to her constructive expertise final 12 months.
“I used to be approached by a co-worker a few piece we’re enjoying, and I did an identical recital final 12 months right here in Pomona and actually had a blast, so it appeared like a beautiful alternative to ‘have piece of music and get to work together once more right here in Pomona,’ Bjorkedal stated.
Like Bjorkedal, cellist Maggie Parkins, who options in the identical group piece, has carried out at earlier recitals in Pomona. She stated acting at these live shows is a “fantastic alternative”.
“Little Bridges is taken into account one of many nicest venues in LA, truly, and it is proper right here on our doorstep,” she stated, “and it is an amazing alternative to play, so I [try] take part in [them].”
The recital, which was free to the general public, featured the work of lesser identified musicians Edgar Varése, Florent Schmitt, Olivier Messiaen and Henry Cowell. The live performance additionally served because the debut of Castillo’s authentic piece, “Emergence – The Artwork of Joan Elardo”, which is impressed by the visible artwork items of Joan Elardo, a retired oboist.
Parkins selected the group piece, which additionally featured flautist Rachel Rudich and oboe Francisco Castillo, due to its “uncommon” nature.
“It is a actually cool piece,” Parkins stated. “I believe all of us respect it. It is at all times good to seek out an unknown pearl to incorporate in a live performance, and it is also that composer, Henry Cowell, for the piece we’re enjoying. He was self-taught, and his items are often very atonal and contain type of numerous bizarre or underrepresented methods, like sound clusters and varied methods of manipulating the piano otherwise.
Parkins’ alternative of tune was additional influenced by her need to work alongside academics she had not beforehand collaborated with previously.
“I began the band as a result of Allison simply joined the college just lately, and I actually take pleasure in it…and I used to be on the lookout for a bit that concerned cello and harp, so I did some analysis and got here throughout this piece,” Parkins stated. “I additionally hadn’t performed a lot with Rachel and Francisco, so I simply thought it will be an amazing alternative for us to hitch forces.”
Pianist Gayle Blankenburg additionally selected one in all her items, “Le Merle Noir”, primarily based on her need to carry out along with her companion Rudich.
“We have already got numerous musical tasks collectively, so when the division began to prepare this, we instantly contacted one another and stated to one another: ‘We must always do a French group of the twentieth century,'” she stated. .
As a pianist, Blankenburg needed to spend time determining her hand placement when practising for her solo piece “Mauresque” and her group piece.
“We do not have to fret about issues with intonation, for instance, which flute gamers have to fret about, however a big proportion of practising pianists are literally in a position to carry out what’s printed on the web page. “Blankenburg stated. “Then as soon as you are able to do that, it’s important to dig a bit of bit into the creative facet of issues and determine what you possibly can convey to the piece emotionally – it takes numerous thought and numerous making an attempt.”
Parkins’ preparation course of was a bit totally different as a result of deal with working with fellow musicians.
“There may be our particular person preparation, so we needed to get the music, we needed to put together the music and, then, we every should cope with making ready our personal elements, so it takes time, then we met as soon as to learn as a result of none of us knew the play,” she stated.
“We’re all very excited concerning the music enjoying on this program. I believe most viewers members will most likely by no means have heard most of this music earlier than, and so it is enjoyable to introduce audiences to one thing they have not heard, that they do not know.
Based on Parkins, the aim of the Musical Occasion was to “showcase all of the unbelievable expertise we’ve on campus.” Blankenburg agrees and believes the intent of the live performance was to “share the artwork with the general public”, in addition to introduce them to items they have been unfamiliar with.
Whereas the music division has been giving comparable recitals for ten years in Pomona, this was the second 12 months it was referred to as a Musical Occasion. The title signified the return to music after the pandemic, which had beforehand halted such performances.
“We’re all very excited concerning the music that is on this program,” Blankenburg stated. “I believe most viewers members most likely will not have heard most of this music earlier than, and so it is enjoyable to introduce audiences to one thing they have not heard, that they do not know. .”
For Bjorkedal, nonetheless, a very powerful a part of the live performance is that it allowed academics to collaborate and college students to see their academics on stage.
“We have now no likelihood [or] plenty of alternatives to collaborate or stumble upon one another within the hallways, so it is an amazing alternative for us to work collectively when some folks… have totally different instructing days [and] I do not see them for the entire 12 months,” Bjorkedal stated. “It is a possibility for college students finding out with me to see me reside, the opposite half of my life, which is enjoying as an alternative of instructing.”